Crack open a Flannery O’Connor short story and you’ll almost certainly find a couple of things. The rural south in the middle of the last century. Catholics and Protestants and Atheists. Believers and Non-Believers. An odd protagonist, who doesn’t quite fit in: a child fascinated by religion, a woman who runs her own farm, a man who is weak and plagued with nostalgia. In any other tale, O’Connor’s characters would be the sidekick or the comic relief. Here, they’re front and center.
In A Good Man is Hard to Find and Other Stories, things are never totally what they seem. It is not the deception of a murder mystery in which the writer wields misdirection as a storytelling weapon, but a worldview in which apparent advantages are not so advantageous, in which violation and trickery are commonplace. Pay attention to the titles: they almost always refer to someone or something different than they first appear to. Continue reading